Web 2.0 tools in teaching and learning

There are still some who believe that print-based research publication is inherently better than online publication.

Got one!

In a previous post I was discussing the issues of copyright and peer review relating to the publishing of academic work online. Well, I’m delighted to report a lovely example of some progress in my own subject area, Music.

Daniel Leech-Wilkinson has been undertaking an AHRC-funded research project for CHARM (the Centre for the History and Analysis of Recorded Music), the outcome of which is a book entitled The Changing Sound of Music: Approaches to Studying Recorded Musical Performances.

It’s a serious and in-depth study of its subject, and contributes new knowledge and debate to our discipline, as all good research must. And it has been published in online-only form – there is no physical book version. I emailed Daniel to congratulate him on successful publication, and he mentioned in his reply that some of his academic contacts were rather alarmed that he hadn’t ‘published’ his book in the print media sense.

Daniel shares my view that the economic arguments for an academic being supported by a print publisher are negligible – sales of such specialist texts being inherently small in number. And he believes that the best way to share his research  with the academic/musical community is to publish it in unprotected form online. The peer review/quality issue is taken care of (presumably by the AHRC funding application process, and the support of the three august institutions that make up CHARM – Royal Holloway, King’s College London and the University of Sheffield.

Medieval music notation - interestingly, this image comes from a Victoria University Medieval studies course - freely available on Blogger. Click image to go to this blog.

And most pleasingly of all, his work is not based around music technology or musical e-learning – he’s a self-proclaimed ‘traditional’ academic researcher working in ‘classical’ music – a specialist in, among other things, Medieval European music. So if colleagues like this are becoming early adopters of online research dissemination, the future for e-research looks very bright indeed.

Contrast this with the print equivalent – Daniel’s list of publications is formidable, but if you want to read his work now, you will run into another locked gate in print-only cases. He’s done his best to circumvent the copyright issues too, by putting as much of his work online as he can, and deleting audio/score examples that are still in copyright.

So Daniel, and all e-researchers like him, still needs to tiptoe carefully around the niceties of copyright. In his multimedia (presumably HTML/CD-R?) publication Multimedia Music of Fourteenth-Century France (1997) he describes “editions of music, recordings, maps, charts, facsmiles of manuscripts, tables and translations” that are unavailable in the online version for copyright reasons. What if he did publish these omitted excerpts online? Who really would be harmed economically?

This work, which is about as specialised/specific as music research gets, has a great academic significance but not an economic one. And the latter has hamstrung the former, as he acknowledges;

UK institutions of higher education are entitled to receive a copy for the cost of the copying. At the moment, again for copyright reasons, it’s not available elsewhere. But if there’s enough interest a commercial release may be developed later.

We need a change in copyright law – some academic version of ‘fair use’, where the knowledge benefit to society outweighs the negligible economic loss to the copyright owner – in cases when the book version of the research is uneconomic to publish. Or better still, some form of digital watermarking/tracking (like YouTube’s previously-used mechanism for paying PRS royalties for music) so that academics, students and copyright owners can benefit from the ‘Long Tail‘ principles of remuneration that only the Internet can provide.

The status quo doesn’t help anyone – new knowledge is effectively suppressed if its dissemination (in print form) is uneconomic or unfunded. We have an opportunity to change this from the inside by simply publishing our research online as a matter of habit. And Web 2.0 tools (blogs, wikis etc) make this as easy as saving a Word document.

It’s not all good news. Some of the principles I’ve been discussing on this blog – notably the advantages of publishing research freely on the Internet – bring with them two attendant ‘issues’ (I used to refer to these as ‘problems’ but then I became a manager, and all ‘problems’ became either ‘issues’ or ‘challenges’ . They are – Data Protection and copyright.

Data Protection is, basically, the right for individuals to see, and to some extent control, personal information about them that is stored on computers. The Data Protection Act 1998 means that identifying individuals online without their knowledge or consent, while not always strictly illegal, can cause potential problems for bloggers/researchers/teachers using Web 2.0 tools – especially when you get into ‘privacy-light’ web applications like Facebook. You’ll note that where I’ve posted photos of students at work on our School website they are not identified by name, or when they are (e.g. in a pop video) this personal identification has been set up by the student themselves. This is one reason (the other being convenience) why we use embedded YouTube code with video-based student work (i.e. use YouTube playlists to find where the student has posted their own work, and effectively link to it – avoiding any issues of content ownership or DPA). If the student graduates and decides for whatever reason that they don’t want their pop video online, they can just take it off YouTube and it will disappear from the School site (this feature was, of course, unavailable to Ricky Gervais in 1983).

The other big issue/problem/challenge/hurdle is copyright. Researchers often own their own copyright on their work (perhaps – though this is open to question depending on the individual’s employment contract with their home University), and are free to publish it online (although technically teachers often can’t – in most cases their teaching materials are the Intellectual Property of the employer). So before you post anything online you have to know who owns it in the first place (disclaimer – I have a decent working knowledge of this area as a composer and writer, and a teacher of copyright relating to musicians, but I am by no means an expert). As my own lawyer says, Intellectual Property Rights are only properly relevant when there’s money to be made – and even then, they can only be enforced by the courts. And given that a great deal of research (in the arts/humanities particularly) is highly specialised, few researchers are ever going to make megabucks out of their work in terms of publisher royalties – the sales are too few in number. Publishers make money, of course, out of Universities’ subscriptions to their academic journals, which is one reason why it’s so difficult to find a lot of academic articles online unless you subscribe to a service like JSTOR. It took me a good couple of hours to unearth a research article the other day using Athens/JSTOR (it was so much hassle that it would almost have been easier to go to the library).

So assuming you’ve figured out who owns whatever you’re posting online, you run into the problem of quality. Who says that a blog/site is any good? In the old days it was easy – peer review was applied by publishers. Now that anyone can post random unresearched opinions online (as in this blog) it’s very difficult for the concept of peer review to apply. But it must be possible; the difference between web and print as text media is that print distribution costs money (and therefore a profit-making entity called a publisher), so surely we must be able to find a better differentiator than this?!. I admire the approach of Radical Musicology, which publishes all the work freely online. Given that most academics are not funded through publishing royalties to any great extent, shouldn’t all journals be openly available?

If I’m being naiive with these ‘open source’ principles as applied to research, then this may be technically and legally true in the current climate, but I’m in esteemed company. Cornell University recently lifted its restrictions of reproduction of its public domain works. UCL now requires all its researchers to publish to an open-access online repository. And scholarly publishers in the USA are seriously miffed about the University of Boston’s decision to publish all of its academics’ research online – although inevitably this has triggered the same peer-review quality debate outlined above.

The recent attempts by the music industry to enforce copyright control (e.g. the YouTube/PRS collision, which Google is effectively going to win, and the removal of DRM on iTunes) demonstrate that it is impossible to enforce electronic restrictions when there is huge demand for online content. Indeed, throughout human history we’ve proved to ourselves – politically, economically, and especially with access to knowledge – that a minority can’t enforce control against the majority interest (for very long). And the demand for open access to online academic materials is certainly there. Every academic has had to tell students that Wikipedia is not a primary source, and many assessors apply penalties for citing it. But perhaps the cultural expectation of the student (or of any ‘digital native‘) is to be able to find anything online – if they don’t get instant gratification they won’t go to a library. And if Wikipedia is all students can find via a Google search, they will cite it. So, if we as academics and researchers make more in-depth content available without the requirement for secure e-portals like Athens, we’ll be spreading the knowledge we generate as effectively as possible…

…which is kind of what the job’s all about.

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Note – if you’re interested in the issues behind this debate, read Martin Weller’s excellent ‘Ed Techie’ blog – particularly this entry about copyright, including the Larry Lessig TED lecture (which I’ve embedded below). Martin’s a Professor of Educational Technology at the Open University in the UK.